INSTALLATION VIEWS
ESSAYS
Wolff, Frank (2017): »Die beruhigende Kraft der Geschwindigkeit: Elias Wessels Landscapes in der Kulturgeschichte der russischen Raumwahrnehmung.« In: Wessel, Elias et al. (2018): Landscapes – In the End, Though, Nothing Is Lost. Deutsches Haus at NYU, NYU Arts & Science, ed. New York: Phoebe Verlag. [English translation: »The Soothing Power of Speed: Elias Wessel’s Landscapes in the Cultural History of Russian Space Perception.«]
Gisbourne, Mark (2017): »Visions of Synthesis. The Photography of Elias Wessel.« In: Wessel, Elias; Gisbourne, Mark (2017): Elias Wessel. Photographische Arbeiten aus den Jahren 2014–2017. 1014 and Consulate General of the Federal Republic of Germany New York, eds. New York: Phoebe Verlag. [German translation: »Visionen einer Synthese. Zur Photographie von Elias Wessel.«]
Graser, Jenny (2015): »Die Landscapes I–VII (2014) von Elias Wessel – In the End, Though, Nothing Is Lost.« In: Wessel, Elias et al. (2018): Landscapes – In the End, Though, Nothing Is Lost. Deutsches Haus at NYU, NYU Arts & Science, ed. New York: Phoebe Verlag. [English translation: »The Landscapes I–VII (2014) by Elias Wessel – In the End, Though, Nothing Is Lost.«]
Sokolova, Anastasia; Daybov, Vladimir (2015): »Kursk Through the Eyes of a Foreign Artist: ›Suprematic‹ Landscapes by Elias Wessel.« In: Wessel, Elias et al. (2018): Landscapes – In the End, Though, Nothing Is Lost. Deutsches Haus at NYU, NYU Arts & Science, ed. New York: Phoebe Verlag. [German translation: »Kursk durch die Augen eines fremden Künstlers: ›Suprematistische‹ Landschaften von Elias Wessel.«]
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Landscapes, 2014 © Elias Wessel / VG Bild-Kunst, Bonn