Artist Talk at the AXA Art Collection Cologne
ISCP Talk: Artists at Work, Elias Wessel With Matt Saunders
TalksElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, Matt Saunders, Hartfield Foundation, Milton and Sally Avery Arts Foundation, New York City Department of Cultural Affairs, New York City Council, New York State Council on the Arts, New York State Legislature, Spallart Collection, Kunstsammlung Spallart, James Rosenquist Foundation, van Beuren Charitable Foundation, William Talbott Hillman Foundation, Harvard University, Marian Goodman Gallery
International House Alumni Event: Artist Elias Wessel ’05 Studio Tour
EventsElias WesselElias Wessel, ISCP, International Studio & Curatorial Program, New York, Brooklyn, Artist Residency, International House, Alumni, i-house, Nostalgia
Fall Open Studios at International Studio & Curatorial Program (ISCP)
Lecture Performance: Cybernetic Auditive Association, Berlin Science Week 2023
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Delirious Images, Fotografien für die nächste Gesellschaft, Hans-Christian von Herrmann, Claudia Blümle, Phonoschrank, Rüdiger Wenk, Performance, Lecture, Berlin Science Week, Object Space Agency, Art & Science, Digital, Film, Exhibition, Humboldt-Universität
Would You Share Your Gold Medal? Exhibition at School of Visual Arts New York
Exhibition Trailer »Delirious Images – Photographs for the Next Society« Kunstsammlung Willy-Brandt-Haus
VideosElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Natalia Kiës, Manu Schlindwein, Exhibition Trailer, Ausstellungsfilm
Space Invaders – Summer Open House at the International Studio & Curatorial Program (ISCP)
Artist Residency at the International Studio & Curatorial Program (ISCP)
Photoszene Festival Cologne: BEISTE_Satellite presents the exhibition »PULSAR«
»The Next Society« – Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
TalksElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Delirious Images, Fotografien für die nächste Gesellschaft, Carsten Brosda, Kulturforum, Kulturforum der Sozialdemokratie, Kulturgespräch, Artist talk, Nächste Gesellschaft
First Comprehensive Monograph »Aesthetics of Conflict« Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, It‘s Complicated, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap
Sonic Interventions: Listen to the New Podcast »Stimmbezirke« by Freie Universität Berlin
TalksElias WesselNew York, Kultur, Kunst, Photography, Elias Wessel, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Quick Response, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, Podcast, Layla Zami, Freie Universität Berlin, Institut für Theaterwissenschaft, Intervenierende Künste
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft
European Month of Photography Berlin: »Aktionstag Fotografie« at Willy-Brandt-Haus
EventsElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Judth Rosmair
New Article by Ruth Horak in the latest Eikon Issue #121
ArticlesElias WesselElias Wessel, Eikon, It‘s Complicated, Ist möglicherweise Kunst, Is Possibly Art, Ruth Horak, Die Summe meiner Daten, Schöne neue Welt, Deepfakes, Privacy, Nela Eggenberger
Can Pictures Speak? An Intermedial Experience at the Intersection of Art, Music and Technology
ExhibitionsElias WesselElias Wessel, Natalia Kiës, Manuel Schlindwein, Bärbel Kopplin, Cylvester, Max Schweder, Tobias Hartmann, Patrick Weiß, Herrweiss, Stiftung Musikfonds, GVL, Neustart Kultur, Die Beauftragte der Bundesregierung für Kultur und Medien, Sprung in die Zeit, Leap into Time, Online Exhibition, Web Experience, Interactive, Intermedial, Klangkunst, Sonic, Visual
Exhibition Film »It’s Complicated, Is Possibly Art« by Edna Luise Biesold at 1014 New York
VideosElias WesselNew York, Kultur, Dokumentation, Manuel Schlindwein, Kunst, Photography, Elias Wessel, Edna Luise Biesold, Buero Robot, Stephan Baumann, Alina Girshovich, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Schöne neue Welt, Schöne neue Welt – The Moving Images, Quick Response, Deepfakes, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës
»Textfetzen« Review by Thomas Ballhausen in Eikon #120
ArticlesElias WesselElias Wessel, Eikon, Thomas Ballhausen, Textfetzen, Kulturverlag Kadmos, It‘s Complicated, Ist möglicherweise Kunst, Is Possibly Art, Axel Gelfert, Hans-Christian von Herrmann, Christoph Neuberger
Matt Saunders: Connoisseur of Chaos – Wessel’s Broken Picture Space
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
PublicationsElias WesselElias Wessel, DigitalPaintingPhotography, University of Derby, Carl Robinson, Frances Guerin, Matt Saunders, Dan Hays, Clare Strand, Cambridge Scholars Publishing, Publication, Photography, Painting, Rahma Khazam, Till Julian Huss, Theresia Stipp, Die Summe meiner Daten, Images through an Algorithmic Lens, It‘s Complicated, Schöne neue Welt
Reality, Technology and Art — Panel Discussion at 1014 New York
TalksElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, Wendy Suzuki, Sue Huang, New York University
Armory Week Viewing at 1014 With »It's Complicated, Is Possibly Art«
EventsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show
1014 New York presents »It's Complicated, Is Possibly Art«
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac
Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]
CollectionsElias WesselElias Wessel, 1014, 1014 space for ideas, Quick Response, NFT, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Black Square, Black Dadaistic Square, Schwarzes Quadrat, Schwarzes dadaistisches Quadrat, Schwarzes dataistisches Quadrat, Black Dataistic Square
Textfetzen. It’s Complicated: Texte aus einem a/sozialen Netzwerk 2019–2021. Ist möglicherweise Kunst
PublicationsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff
»zu mir und zu dir« – Franz Jyrch, Maria Sainz Rueda, Elias Wessel
Gwyneira Isaac: Mind the Gap—Elias Wessel’s »Ereignishorizonte« and the Thermodynamics of TikTok
Migrating Things – Objects Under the Influence
PublicationsElias WesselElias Wessel, Die Summe meiner Daten, Migrating Things, Sabine du Crest, Barbara Cassin, Muriel Garsson, Linéart, Musée de la Vieille Charité, Migrating things - Objects under influence, Exhibition Catalogue, Die Summe meiner Daten – Origin
Ruth Horak: The Screen Is Never Empty
Alina Girshovich: This Is Art a Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, It‘s Complicated, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas
Virtual Tour Through the Exhibition »I Don’t Care. I Love My Phone«
Nikolaus Kratzer: Images Through an Algorithmic Lens – On the Visualization of Reality
Christoph Neuberger: The Way Back from the Digital to the Analog
Axel Gelfert: The Newsfeed as an Algorithmic Palimpsest
Hans-Christian von Herrmann: Unsubstantiated Presence—Can Elias Wessel’s ›Textfetzen‹ Be Read?
Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
Hans-Juergen Herschel: Variations on »Die Freude am Rest« [The Joy in What Remains]
Investigations Into the Interrelationships of the Digital, Painting, and Photography
TalksElias WesselElias Wessel, Symposium, DigitalPaintingPhotography, PaintingDigitalPhotography, PhotographyDigitalPainting, Die Summe meiner Daten, Schöne neue Welt, Brave New World, It‘s Complicated, Images through an Algorithmic Lens, Martin Lang, Dawn Woolley & Zara Worth, Frances Woodleay, Rhys Himsworth, Dan Hays, Abbie Schug, Allen Hirsh, Theresia Stipp, Clare Strand, Till Julian Huss, Ian Truelove, Rahma Khazam, Matt Saunders, University of Derby, Carl Robinson
»Schöne neue Welt – The Moving Images« Are Extraordinary Things
ExhibitionsElias WesselElias Wessel, Exhibition, Objects. Stories. Experiences: Extraordinary Things, Assembly Required, Brooklyn, New York, Gowanus, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Videoinstallation, Video, Brave New World, Pawel Wojtasik, Heidi Hankaniemi, Bard College
Exhibition Catalog: »Das Objekt im Fokus. Fotografie aus der Sammlung SpallArt«
PublicationsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel, Katalog, Catalog
To Be Named – the Body. Cultural Politics of Naming and Being Named
TalksElias WesselDie Summe meiner Daten, Stephan Berg, Die Spur des Körpers, Traces of the Body, Adam Mickiewicz University in Poznan, Faculty of Modern Languages and Literatures, University of Groningen, Leiden University, Fryske Akademy Leeuwarden, University of Warsaw Faculty of Artes Liberales, Kunstmuseum Bonn, Gruppo di Azione Locale per lo Sviluppo Rurale dell’Area Grecanica, Latgolys Studentu centrs, The University of North Carolina at Chapel Hill, The University of Texas, Yale University, Smithsonian Institution, ARENET, Instituto de Docencia e Investigacion Etnologica de Zacatecas, Gwyn Isaac, Nancy Yadav, Dorota Sosnowska, Szymon Adamczak, Marta Ostajewska, Elias Wessel, Wiktor Bagiński
Bärbel Kopplin: Photography as Experimental Arrangement and Thought Process
EssaysElias WesselBärbel Kopplin, Kuratorin, Kunstsammlung Hypovereinsbank, Kunstsammlung der Unicredit Bank, München, Munich, Sprung in die Zeit, Art Collection of the German Bundestag in Berlin, Artothek - die Kunstsammlung - Deutscher Bundestag, Otto Piene, Bundeskunstsammlung
Spallart Collection Acquires »Images Through an Algorithmic Lens«
CollectionsElias WesselDie Summe meiner Daten, Spallart Collection, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., Collections, Kunstsammlung Spallart, Elias Wessel, Images through an Algorithmic Lens, Zur Visualisierung der Wirklichkeit
Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]
CollectionsElias WesselArtothek - die Kunstsammlung - Deutscher Bundestag, Bundeskunstsammlung, Berlin, Georg Baselitz, Joseph Beuys, Christo, Hans Haacke, Jenny Holzer, Elsworth Kelly, Anselm Kiefer, Imi Knoebel, Sigmar Polke, Neo Rauch, Gerhard Richter, Ulrike Groos Kunstmuseum Stuttgart, Anna-Catharina Gebbers Hamburger Bahnhof - Museum für Gegenwart, Friedrich Meschede Kunsthalle Bielefeld, Roland Nachtigäller Museum Marta Herford, Sprung in die Zeit, Images through an Algorithmic Lens, Kurator Dr. Kaernbach, Deutscher Bundesatg, Kunstsammlung des Deutschen Bundestages, Art Collection of the German Bundestag, Collections
»Ist möglicherweise Kunst« – Audio Works Supported by the Foundation Rhineland-Palatinate for Culture
»I Don‘t Care. I Love My Phone.« Kunstsammlung SAP Presents Works From 2017-2020
Exhibition Film Released by the Embassy of the Federal Republic of Germany in Paris
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Palais Beauharnais, Embassy of the Federal Republic of Germany, Stiftung Rheinland-Pfalz für Kultur, Paris, New York, Kultur, Dokumentation, Maria Anna Tappeiner, Andreas B. Krueger, Natalia Kiés, Manuel Schlindwein, Hôtel de Beauharnais, Kunst, Photography, Elias Wessel, I Don‘t Care. I Love My Phone, Schöne neue Welt, Schöne neue Welt – The Moving Images
Beyond the Digital Promise: Virtual Communities and Democracy in Recent Contemporary History
»Direkte Auktion« – The Art Scene Helps Itself
Eyes on the Object: The Spallart Collection Presents Selected Works From Its Rich Collection
ExhibitionsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel
Frances Guerin Is Exploring the Intersection of Aesthetics and Social Politics at Palais Beauharnais
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Frances Guerin, Andreas Gursky, Candida Höfer, Paris, University of Kent, Paris School of Arts and Culture, Embassy of the Federal Republic of Germany, Elias Wessel: History of Touches, Dreyfus-Affäre, Thomas Ruff, Düsseldorf, Hôtel de Beauharnais, On Series, Off Series, Louis XVIII, Jacques Louis David, Prince Eugène Beauharnais, B/W Series, Andres Serrano, Michael David Barbezat, Anne M Scott, Roman Polanski, J’Accuse, Gerhard Richter, I Don‘t Care. I Love My Phone
Foundation Rhineland-Palatinate for Culture Supports »Schöne neue Welt« Series
The Digital Space Never Forgets: Amnesty International Reports on "Die Summe meiner Daten"
Participating From a Distance With »Images Through an Algorithmic Lens«
Maltreating Dozens of Smartphones Turns Into »Schöne neue Welt«
Artists Talk on Art – Elias Wessel in Conversation With Peter Duhon
Encounter History of Touches at Palais Beauharnais in Guided Tours
Response in a Visual Language to the Tension Between Fascination, Wonder and Anxiety
Dataism: The Quantifiable Human. In Cooperation With Stiftung Neue Verantwortung
EventsElias WesselPalais Beauharnais, Die Summe meiner Daten, La somme de mes données, Embassy of the Federal Republic of Germany, Nikolaus Meyer-Landruth, Celine Göhlich, Stiftung Neue Verantwortung, Paris, On Series, B/W Series, Off Series, I Don‘t Care. I Love My Phone
Embassy of the Federal Republic of Germany in Paris Publishes Exhibition Catalogue
»Elias Wessel : La somme de mes données« at the Historic Palais Beauharnais, Paris
Stephan Berg Discovers Traces of the Body Within »Die Summe meiner Daten«
Exhibition Catalogue: I Am All of Glass
I Am All of Glass – Marianne Brandt and the Art of Glass Today
Tagesschau: »100 Jahre Bauhaus: Ausstellung über Glas in Chemnitz«
Guesswork Leads to Dialogue
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Kunstverein Speyer e. V., ARD, SWR, Maja Hattesen, Digitalisierung Überwachung Identität, SWR Aktuell, I Don‘t Care. I Love My Phone
Digitization, Surveillance and Identity at the Kunstverein Speyer e. V.
ExhibitionsElias WesselDie Summe meiner Daten, Kunstverein Speyer e. V., Digitalisierung Überwachung Identität, On Series, B/W Series, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Abstrakte Realitäten, SWR, ARD, SWR Kulturtipps, I Don‘t Care. I Love My Phone
Absolute Abstraction Merges With Absolute Realism
PublicationsElias WesselDie Summe meiner Daten, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Malu Dreyer, Kunstverein Speyer e. V., On Series, B/W Series, Off Series, Digitalisierung Überwachung Identität, Phoebe Verlag, Städel Museum Frankurt, Abstrakte Realitäten, I Don‘t Care. I Love My Phone
Jenny Graser’s Note Upon the “Mystic Writing-Pad”
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Jenny Graser, Abstrakte Realitäten, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Digitalisierung Überwachung Identität, Embassy of the Federal Republic of Germany, Kunstverein Speyer e. V., Sigmund Freud, Wunderblock, I Don‘t Care. I Love My Phone
Internationale Photoszene Köln
Luther, Uecker and Wessel Are in Concert at Art Basel
Wessel‘s »Landscapes« Are Too Present to Be Abstract Art, but Also Too Abstract to Represent the Present
PublicationsElias WesselLandscapes, Phoebe Verlag, Deutsches haus at NYU, NYU Arts & Science, In the end though nothing is lost, New York, Jenny Graser, Städel Museum Frankurt, Frank Wolff, Moderne Geschichte / IMIS Universität Osnabrück, Uwe Melichar, Kulturstiftung Speyer
In the »Landscapes« Series, Each Picture Is a Sum of Destruction
»In the End, Though, Nothing Is Lost« at Deutsches Haus at New York University
Historian Frank Wolff Reflects On the Soothing Power of Speed
There's a Black Square in the Icon Corner
Zu Gast at Baustelle Schaustelle Düsseldorf
Smart Robotic Window Cleaner Removes Traces and Fingerprints – but Not From Your Digital Device
NRW Forum Düsseldorf Unites Works by Demand, Gursky, Hütte, Ruff, Struth and Wessel
Photographic Works Between the Years 2014-2017
PublicationsElias WesselSprung in die Zeit, Landscapes, Cityscapes, Feral, Liebst, Jejune, Die Summe meiner Daten, On Series, Off Series, B/W Series, Hinter den Dingen, Mark Gisbourne, 1014 New York, Elias Wessel: Stuck Together Pieces!, Elias Wessel: History of Touches, Consulate General of the Federal Republic, New York, Phoebe Verlag, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Goethe Institut, Visions of Synthesis
History of Touches at the Consulate General of the Federal Republic of Germany New York
ExhibitionsElias WesselDie Summe meiner Daten, On Series, Off Series, B/W Series, Elias Wessel: History of Touches, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Elias Wessel: Stuck Together Pieces!, 1014 New York, Consulate General of the Federal Republic, New York, Mark Gisbourne, Peter Duhon, Phoebe Verlag, I Don‘t Care. I Love My Phone
In »Visions of Synthesis« Mark Gisbourne Finds More Than Fine Words to Say
EssaysElias WesselMark Gisbourne, Visions of Synthesis, Courtauld Institute, Slade School of Art London, Sotheby's Institute, British Art Critics (AICA), Tate Modern, London, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, 1014 New York, Consulate General of the Federal Republic, Elias Wessel: History of Touches, Elias Wessel: Stuck Together Pieces!, Rohkunstbau (Brandenburg), Gerhard Richter, Sprung in die Zeit, Liebst, Feral, Landscapes, Cityscapes, Jejune, Hinter den Dingen, Die Summe meiner Daten, On Series, Off Series, B/W Series, Otto Piene
Wall Street International Leaps Through Time and Space at Goethe House New York
Stuck Together Pieces! Special Spring Viewing at 1014 New York
EventsElias WesselElias Wessel: Stuck Together Pieces!, 1014 New York, Goethe Haus, Feral, Landscapes, Cityscapes, Liebst, Sprung in die Zeit, Andy Warhol, Hannah Arendt, Uwe Johnson, Günter Grass, Rainer-Werner Fassbinder, Volker Schlöndorff, Wim Wenders, Jürgen Habermas, Max Beckmann, Candida Höfer, New York
Christian Schoen's Thoughts on the Essence of Images
EssaysElias WesselSprung in die Zeit, Christian Schoen, Raum für Kunst und Gegenwart, Ansbach, Center for Icelandic Art, Biennale di Venezia, Reykjavík Art Museum, Anmerkungen zum Wesen der Bilder, Karl Blossfeldt, Bernd und Hilla Becher, Kasimir Malewitsch
Sprung in die Zeit – Leap Into Time
1014 Presents »Elias Wessel: Stuck Together Pieces!« in the Heart of New York City
ExhibitionsElias Wessel1014 New York, Elias Wessel: Stuck Together Pieces!, New York, Metropolitan Museum of Art, Goethe Institut, Goethe Haus, Nina Tabassomi, Landscapes, Cityscapes, Feral, Liebst, Sprung in die Zeit, Taxispalais, Consulate General of the Federal Republic, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017
Goethe Institute Frankfurt Presents »Traces of Reality«
Jenny Graser: In the End, Though, Nothing Is Lost
The AXA Art Collection Acquires the Entire »Landscapes« Series
CollectionsElias WesselAXA Kunstsammlung Köln, AXA Art Collection, Landscapes, Michaela Wallner, Zero, Günther Uecker, Gerhard Richter, Joseph Beuys, Joan Miró, Andy Warhol, Collections
Art Meets Brain at New York University
TalksElias WesselElias Wessel, Symposium, Talk, New York University, NYU, Wendy Suzuki, Ed Vessel, Max Planck Institute, Center for Neural Science, Landscapes
![Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1678735067361-6PH1J4J7JXJ3JJXMDGI1/Foto+Piotr+Bialoglowicz+%282%29.jpg)
![Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1664564485108-NT3JT24TEWS124ZBVB4Y/QR_1014_ItsComplicated_2x3.jpg)
![Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1677175839651-VGHSH9SQMMJ450EMGFNC/Andreas-Brenne_Portrait_Bild-Tagesschau.jpg)
![Hans-Juergen Herschel: Variations on »Die Freude am Rest« [The Joy in What Remains]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1677170713580-CRY71XVU5GXQNVWRXWW6/Hans-Ju%CC%88rgen-Herschel_Portrait_Foto-ps.jpg)
![Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1628995840863-KJ2DOBQ5OWFC77T2ZT8R/Deutscher%2BBundestag%2B-%2B3x2.jpg)
