Posts tagged It’s Complicated
On the Threshold — Salon Exhibition, Old Greenwich, CT
ExhibitionsElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Systems at Play, Textfetzen, CS Art Partners, Old Greenwich, Chiara Seidl, Ereignishorizonte, Event Horizon, Die Summe meiner Daten, On Series, The Sum of My Data, DSMD, Deepfakes, Privacy, It’s Complicated
Guest Lecture at the Savannah College of Art and Design (SCAD)
TalksElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Natalia Kiës, Systems at Play, Textfetzen, Fitz Patton, Brian Patton, Savannah College of Art and Design, SCAD, It’s Complicated
Poetry in Business — Guest Lecture at TGM Vienna
TalksElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Digital Art Space, Munich, Karin Wimmer, Natalia Kiës, Systems at Play, Textfetzen, Thomas McGowan, Gärtnerplatztheater, Curt Wills Stiftung, TGM, It’s Complicated
NFM (News Finds Me)
ExhibitionsElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Digital Art Space, Munich, Karin Wimmer, Natalia Kiës, Systems at Play, Textfetzen, Thomas McGowan, Gärtnerplatztheater, Curt Wills Stiftung, It’s Complicated
Liminal Spaces: An Exhibition on the Edge of Transformation at International House New York
Curator Daniela Yvonne Baumann on Elias Wessel: Device
EssaysElias WesselElias Wessel, Device, Daniela Yvonne Baumann, Walther Collection, Ulm, Die Summe meiner Daten, Ist möglicherweise Kunst, Is Possibly Art, Images through an Algorithmic Lens, Liebst, Sprung, Leap into Time, Ereignishorizonte, Event Horizon, It’s Complicated
Chunbum Park: A Thesis on Social Media’s Bastardization of the Holy and the Sacred
EssaysElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea, It’s Complicated
Casey Killoran Performs a Dadaist Reading From Elias Wessel’s Textfetzen [Scraps of Text]
EventsElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Gerhard Richter, Chelsea, Casey Killoran, Antonis Pittas, It’s Complicated
It’s Complicated Named a Must-See in Artforum’s Artguide
ArticlesElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Review, Gerhard Richter, Chelsea, Artforum, Artguide, Must See, It’s Complicated
Tique Shares Its Selection of Interesting Exhibitions Worldwide
ArticlesElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Review, Gerhard Richter, Chelsea, Tique, Publication on Contemporary Art, It’s Complicated
Yale University Radio: Brainard Carey in Conversation With Elias Wessel
TalksElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Chelsea, Yale University, Yale University Radio, Christo and Jeanne-Claude, Marina Abramović, Hans Ulrich Obrist, Brainard Carey, Museum of Non-Visible Art, It’s Complicated
Exposing Social Media — Exhibition Review in Two Coats of Paint
ArticlesElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea, It’s Complicated
Picture Theory Presents Elias Wessel: It’s Complicated
ExhibitionsElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, It’s Complicated
Exhibition Trailer: Delirious Images – Photographs for the Next Society, Kunstsammlung Willy-Brandt-Haus
VideosElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Natalia Kiës, Manu Schlindwein, Exhibition Trailer, Ausstellungsfilm, It’s Complicated
The Next Society — Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
TalksElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Delirious Images, Fotografien für die nächste Gesellschaft, Carsten Brosda, Kulturforum, Kulturforum der Sozialdemokratie, Kulturgespräch, Artist talk, Nächste Gesellschaft, It’s Complicated
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap, It’s Complicated
Sonic Interventions: Listen to the New Podcast Stimmbezirke by Freie Universität Berlin
TalksElias WesselNew York, Kultur, Kunst, Photography, Elias Wessel, 1014, 1014 New York, 1014 space for ideas, Is Possibly Art, Exhibition, Quick Response, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, Podcast, Layla Zami, Freie Universität Berlin, Institut für Theaterwissenschaft, Intervenierende Künste, It’s Complicated
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, It’s Complicated
European Month of Photography Berlin: Aktionstag Fotografie at Willy-Brandt-Haus
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Judth Rosmair, It’s Complicated
New Article by Ruth Horak in Eikon Issue #121
ArticlesElias WesselElias Wessel, Eikon, Ist möglicherweise Kunst, Is Possibly Art, Ruth Horak, Die Summe meiner Daten, Schöne neue Welt, Deepfakes, Privacy, Nela Eggenberger, It’s Complicated
Exhibition Film: It’s Complicated, Is Possibly Art by Edna Luise Biesold at 1014 New York
VideosElias WesselNew York, Kultur, Dokumentation, Manuel Schlindwein, Kunst, Photography, Elias Wessel, Edna Luise Biesold, Buero Robot, Stephan Baumann, Alina Girshovich, 1014, 1014 New York, 1014 space for ideas, Is Possibly Art, Exhibition, Schöne neue Welt, Schöne neue Welt – The Moving Images, Quick Response, Deepfakes, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, It’s Complicated
Textfetzen — Review by Thomas Ballhausen in Eikon #120
ArticlesElias WesselElias Wessel, Eikon, Thomas Ballhausen, Textfetzen, Kulturverlag Kadmos, Ist möglicherweise Kunst, Is Possibly Art, Axel Gelfert, Hans-Christian von Herrmann, Christoph Neuberger, It’s Complicated
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
PublicationsElias WesselElias Wessel, DigitalPaintingPhotography, University of Derby, Carl Robinson, Frances Guerin, Matt Saunders, Dan Hays, Clare Strand, Cambridge Scholars Publishing, Publication, Photography, Painting, Rahma Khazam, Till Julian Huss, Theresia Stipp, Die Summe meiner Daten, Images through an Algorithmic Lens, Schöne neue Welt, It’s Complicated
Reality, Technology and Art — Panel Discussion at 1014 New York
TalksElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, Wendy Suzuki, Sue Huang, New York University, It’s Complicated
Armory Week Viewing at 1014 With It’s Complicated, Is Possibly Art
EventsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, It’s Complicated
1014 New York Presents It’s Complicated, Is Possibly Art
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac, It’s Complicated
Textfetzen. It’s Complicated: Texte aus einem a/sozialen Netzwerk 2019–2021. Ist möglicherweise Kunst
PublicationsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, It’s Complicated
Alina Girshovich: This Is Art: A Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas, It’s Complicated
Christoph Neuberger: The Way Back From the Digital to the Analog
Axel Gelfert: The Newsfeed as an Algorithmic Palimpsest
Hans-Christian von Herrmann: Unsubstantiated Presence – Can Elias Wessel’s Textfetzen Be Read?
Investigations Into the Interrelationships of the Digital, Painting, and Photography
TalksElias WesselElias Wessel, Symposium, DigitalPaintingPhotography, PaintingDigitalPhotography, PhotographyDigitalPainting, Die Summe meiner Daten, Schöne neue Welt, Brave New World, Images through an Algorithmic Lens, Martin Lang, Dawn Woolley & Zara Worth, Frances Woodleay, Rhys Himsworth, Dan Hays, Abbie Schug, Allen Hirsh, Theresia Stipp, Clare Strand, Till Julian Huss, Ian Truelove, Rahma Khazam, Matt Saunders, University of Derby, Carl Robinson, It’s Complicated
Ist möglicherweise Kunst — Audio Works Supported by the Foundation Rhineland-Palatinate for Culture
Beyond the Digital Promise: Virtual Communities and Democracy in Recent Contemporary History
Artists Talk on Art — Elias Wessel in Conversation With Peter Duhon
![Casey Killoran Performs a Dadaist Reading From Elias Wessel’s Textfetzen [Scraps of Text]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/689d7eb7-d540-4283-9945-fa8e483e6313/PictureTheory_EliasWessel_ArtistConversations_Image_01.jpg)
![Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1678735067361-6PH1J4J7JXJ3JJXMDGI1/Foto+Piotr+Bialoglowicz+%282%29.jpg)
