Posts tagged Ästhetik des Konflikts
HEAT — Summer Exhibition at Galerie Burster, Berlin
HEAT — Summer Exhibition at Galerie Burster, Berlin
ExhibitionsElias WesselElias Wessel, Ereignishorizonte, Serials, Aesthetics of Conflict, Ästhetik des Konflikts, Galerie Burster
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap, It’s Complicated
Matt Saunders: Connoisseur of Chaos: Wessel’s Broken Picture Space
Matt Saunders: Connoisseur of Chaos: Wessel’s Broken Picture Space
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Schöne neue Welt, Schöne neue Welt – The Moving Images, Brave New World, Matt Saunders, Marian Goodman Gallery, Harvard University
1014 New York Presents It’s Complicated, Is Possibly Art
1014 New York Presents It’s Complicated, Is Possibly Art
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac, It’s Complicated
Gwyneira Isaac: Mind the Gap. Elias Wessel’s Ereignishorizonte and the Thermodynamics of TikTok
Gwyneira Isaac: Mind the Gap. Elias Wessel’s Ereignishorizonte and the Thermodynamics of TikTok
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Gwyneira Isaac, Gwyn Isaac, Smithsonian Institution, Coling, Ereignishorizonte, Event Horizon
Ruth Horak: The Screen Is Never Empty
Ruth Horak: The Screen Is Never Empty
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Ruth Horak, Deepfakes, Privacy
Alina Girshovich: This Is Art: A Perpetually Relevant Response
Alina Girshovich: This Is Art: A Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas, It’s Complicated
Nikolaus Kratzer: Images Through an Algorithmic Lens: On the Visualization of Reality
Nikolaus Kratzer: Images Through an Algorithmic Lens: On the Visualization of Reality
EssaysElias WesselNikolaus Kratzer, Images through an Algorithmic Lens, Ästhetik des Konflikts, Aesthetics of Conflict, Verlag Kettler
Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Andreas Brenne, Die Summe meiner Daten
Hans-Jürgen Herschel: Variations on Die Freude am Rest [The Joy in What Remains]
Hans-Jürgen Herschel: Variations on Die Freude am Rest [The Joy in What Remains]
EssaysElias WesselHans-Jürgen Herschel, Die Freude am Rest, Ästhetik des Konflikts, Aesthetics of Conflict