Posts tagged Die Summe meiner Daten
On the Threshold — Salon Exhibition, Old Greenwich, CT
ExhibitionsElias WesselElias Wessel, Ist möglicherweise Kunst, Is Possibly Art, Systems at Play, Textfetzen, CS Art Partners, Old Greenwich, Chiara Seidl, Ereignishorizonte, Event Horizon, Die Summe meiner Daten, On Series, The Sum of My Data, DSMD, Deepfakes, Privacy, It’s Complicated
Naming and Being: Knowledges, Identities, and Cultural Politics (Routledge, 2026)
Curator Daniela Yvonne Baumann on Elias Wessel: Device
EssaysElias WesselElias Wessel, Device, Daniela Yvonne Baumann, Walther Collection, Ulm, Die Summe meiner Daten, Ist möglicherweise Kunst, Is Possibly Art, Images through an Algorithmic Lens, Liebst, Sprung, Leap into Time, Ereignishorizonte, Event Horizon, It’s Complicated
Artist Talk at the AXA Art Collection in Cologne
Exhibition Trailer: Delirious Images – Photographs for the Next Society, Kunstsammlung Willy-Brandt-Haus
VideosElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Natalia Kiës, Manu Schlindwein, Exhibition Trailer, Ausstellungsfilm, It’s Complicated
The Next Society — Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
TalksElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Delirious Images, Fotografien für die nächste Gesellschaft, Carsten Brosda, Kulturforum, Kulturforum der Sozialdemokratie, Kulturgespräch, Artist talk, Nächste Gesellschaft, It’s Complicated
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap, It’s Complicated
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, It’s Complicated
European Month of Photography Berlin: Aktionstag Fotografie at Willy-Brandt-Haus
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Judth Rosmair, It’s Complicated
New Article by Ruth Horak in Eikon Issue #121
ArticlesElias WesselElias Wessel, Eikon, Ist möglicherweise Kunst, Is Possibly Art, Ruth Horak, Die Summe meiner Daten, Schöne neue Welt, Deepfakes, Privacy, Nela Eggenberger, It’s Complicated
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
PublicationsElias WesselElias Wessel, DigitalPaintingPhotography, University of Derby, Carl Robinson, Frances Guerin, Matt Saunders, Dan Hays, Clare Strand, Cambridge Scholars Publishing, Publication, Photography, Painting, Rahma Khazam, Till Julian Huss, Theresia Stipp, Die Summe meiner Daten, Images through an Algorithmic Lens, Schöne neue Welt, It’s Complicated
Migrating Things – Objects Under the Influence
PublicationsElias WesselElias Wessel, Die Summe meiner Daten, Migrating Things, Sabine du Crest, Barbara Cassin, Muriel Garsson, Linéart, Musée de la Vieille Charité, Migrating things - Objects under influence, Exhibition Catalogue, Die Summe meiner Daten – Origin
Virtual Tour: I Don’t Care. I Love My Phone
Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
Investigations Into the Interrelationships of the Digital, Painting, and Photography
TalksElias WesselElias Wessel, Symposium, DigitalPaintingPhotography, PaintingDigitalPhotography, PhotographyDigitalPainting, Die Summe meiner Daten, Schöne neue Welt, Brave New World, Images through an Algorithmic Lens, Martin Lang, Dawn Woolley & Zara Worth, Frances Woodleay, Rhys Himsworth, Dan Hays, Abbie Schug, Allen Hirsh, Theresia Stipp, Clare Strand, Till Julian Huss, Ian Truelove, Rahma Khazam, Matt Saunders, University of Derby, Carl Robinson, It’s Complicated
Exhibition Catalogue: Das Objekt im Fokus. Fotografie aus der Sammlung SpallArt
PublicationsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel, Katalog, Catalog
To Be Named – The Body. Cultural Politics of Naming and Being Named
TalksElias WesselDie Summe meiner Daten, Stephan Berg, Die Spur des Körpers, Traces of the Body, Adam Mickiewicz University in Poznan, Faculty of Modern Languages and Literatures, University of Groningen, Leiden University, Fryske Akademy Leeuwarden, University of Warsaw Faculty of Artes Liberales, Kunstmuseum Bonn, Gruppo di Azione Locale per lo Sviluppo Rurale dell’Area Grecanica, Latgolys Studentu centrs, The University of North Carolina at Chapel Hill, The University of Texas, Yale University, Smithsonian Institution, ARENET, Instituto de Docencia e Investigacion Etnologica de Zacatecas, Gwyn Isaac, Nancy Yadav, Dorota Sosnowska, Szymon Adamczak, Marta Ostajewska, Elias Wessel, Wiktor Bagiński
Spallart Collection Acquires Works From Images Through an Algorithmic Lens
CollectionsElias WesselDie Summe meiner Daten, Spallart Collection, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., Collections, Kunstsammlung Spallart, Elias Wessel, Images through an Algorithmic Lens, Zur Visualisierung der Wirklichkeit
I Don’t Care. I Love My Phone. Kunstsammlung SAP Presents Works From 2017–2020
Exhibition Film Released by the Embassy of the Federal Republic of Germany in Paris
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Palais Beauharnais, Embassy of the Federal Republic of Germany, Stiftung Rheinland-Pfalz für Kultur, Paris, New York, Kultur, Dokumentation, Maria Anna Tappeiner, Andreas B. Krueger, Natalia Kiés, Manuel Schlindwein, Hôtel de Beauharnais, Kunst, Photography, Elias Wessel, I Don‘t Care. I Love My Phone, Schöne neue Welt, Schöne neue Welt – The Moving Images
Eyes on the Object: The Spallart Collection Presents Selected Works From Its Rich Collection
ExhibitionsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel
Frances Guerin Explores the Intersection of Aesthetics and Social Politics at Palais Beauharnais
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Frances Guerin, Andreas Gursky, Candida Höfer, Paris, University of Kent, Paris School of Arts and Culture, Embassy of the Federal Republic of Germany, Elias Wessel: History of Touches, Dreyfus-Affäre, Thomas Ruff, Düsseldorf, Hôtel de Beauharnais, On Series, Off Series, Louis XVIII, Jacques Louis David, Prince Eugène Beauharnais, B/W Series, Andres Serrano, Michael David Barbezat, Anne M Scott, Roman Polanski, J’Accuse, Gerhard Richter, I Don‘t Care. I Love My Phone
The Digital Space Never Forgets: Amnesty International Reports on Die Summe meiner Daten
Guided Tours of History of Touches at Palais Beauharnais
Response in a Visual Language to the Tension Between Fascination, Wonder and Anxiety
Dataism: The Quantifiable Human. In Cooperation With Stiftung Neue Verantwortung
EventsElias WesselPalais Beauharnais, Die Summe meiner Daten, La somme de mes données, Embassy of the Federal Republic of Germany, Nikolaus Meyer-Landruth, Celine Göhlich, Stiftung Neue Verantwortung, Paris, On Series, B/W Series, Off Series, I Don‘t Care. I Love My Phone
Embassy of the Federal Republic of Germany in Paris Publishes Exhibition Catalogue
Elias Wessel: La somme de mes données at Palais Beauharnais, Paris
Stephan Berg Discovers Traces of the Body Within Die Summe meiner Daten
Exhibition Catalogue: I Am All of Glass
I Am All of Glass – Marianne Brandt and the Art of Glass Today
Tagesschau: 100 Jahre Bauhaus: Ausstellung über Glas in Chemnitz
Guesswork Leads to Dialogue
VideosElias WesselDie Summe meiner Daten, On Series, B/W Series, Kunstverein Speyer e. V., ARD, SWR, Maja Hattesen, Digitalisierung Überwachung Identität, SWR Aktuell, I Don‘t Care. I Love My Phone
Digitization, Surveillance and Identity at the Kunstverein Speyer e. V.
ExhibitionsElias WesselDie Summe meiner Daten, Kunstverein Speyer e. V., Digitalisierung Überwachung Identität, On Series, B/W Series, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Abstrakte Realitäten, SWR, ARD, SWR Kulturtipps, I Don‘t Care. I Love My Phone
Absolute Abstraction Merges With Absolute Realism
PublicationsElias WesselDie Summe meiner Daten, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Malu Dreyer, Kunstverein Speyer e. V., On Series, B/W Series, Off Series, Digitalisierung Überwachung Identität, Phoebe Verlag, Städel Museum Frankurt, Abstrakte Realitäten, I Don‘t Care. I Love My Phone
Jenny Graser’s Note Upon the Mystic Writing-Pad
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Jenny Graser, Abstrakte Realitäten, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Digitalisierung Überwachung Identität, Embassy of the Federal Republic of Germany, Kunstverein Speyer e. V., Sigmund Freud, Wunderblock, I Don‘t Care. I Love My Phone
Internationale Photoszene Köln
Zu Gast at Baustelle Schaustelle Düsseldorf
Smart Robotic Window Cleaner Removes Traces and Fingerprints — but Not From Your Digital Device
NRW-Forum Düsseldorf Unites Works by Demand, Gursky, Hütte, Ruff, Struth and Wessel
Photographic Works Between the Years 2014–2017
PublicationsElias WesselSprung in die Zeit, Landscapes, Cityscapes, Feral, Liebst, Jejune, Die Summe meiner Daten, On Series, Off Series, B/W Series, Hinter den Dingen, Mark Gisbourne, 1014 New York, Elias Wessel: Stuck Together Pieces!, Elias Wessel: History of Touches, Consulate General of the Federal Republic, New York, Phoebe Verlag, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Goethe Institut, Visions of Synthesis
History of Touches at the German Consulate General in New York
ExhibitionsElias WesselDie Summe meiner Daten, On Series, Off Series, B/W Series, Elias Wessel: History of Touches, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Elias Wessel: Stuck Together Pieces!, 1014 New York, Consulate General of the Federal Republic, New York, Mark Gisbourne, Peter Duhon, Phoebe Verlag, I Don‘t Care. I Love My Phone
Mark Gisbourne on Visions of Synthesis
EssaysElias WesselMark Gisbourne, Visions of Synthesis, Courtauld Institute, Slade School of Art London, Sotheby's Institute, British Art Critics (AICA), Tate Modern, London, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, 1014 New York, Consulate General of the Federal Republic, Elias Wessel: History of Touches, Elias Wessel: Stuck Together Pieces!, Rohkunstbau (Brandenburg), Gerhard Richter, Sprung in die Zeit, Liebst, Feral, Landscapes, Cityscapes, Jejune, Hinter den Dingen, Die Summe meiner Daten, On Series, Off Series, B/W Series, Otto Piene
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