Posts tagged Images through an Algorithmic Lens
Curator Daniela Yvonne Baumann on Elias Wessel: Device
Curator Daniela Yvonne Baumann on Elias Wessel: Device
EssaysElias WesselElias Wessel, Device, Daniela Yvonne Baumann, Walther Collection, Ulm, Die Summe meiner Daten, Ist möglicherweise Kunst, Is Possibly Art, Images through an Algorithmic Lens, Liebst, Sprung, Leap into Time, Ereignishorizonte, Event Horizon, It’s Complicated
Exhibition Trailer: Delirious Images – Photographs for the Next Society, Kunstsammlung Willy-Brandt-Haus
Exhibition Trailer: Delirious Images – Photographs for the Next Society, Kunstsammlung Willy-Brandt-Haus
VideosElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Natalia Kiës, Manu Schlindwein, Exhibition Trailer, Ausstellungsfilm, It’s Complicated
The Next Society — Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
The Next Society — Kulturforum Hosts Culture Talk Between Carsten Brosda and Elias Wessel
TalksElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Delirious Images, Fotografien für die nächste Gesellschaft, Carsten Brosda, Kulturforum, Kulturforum der Sozialdemokratie, Kulturgespräch, Artist talk, Nächste Gesellschaft, It’s Complicated
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
Aesthetics of Conflict — First Comprehensive Monograph Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap, It’s Complicated
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, It’s Complicated
European Month of Photography Berlin: Aktionstag Fotografie at Willy-Brandt-Haus
European Month of Photography Berlin: Aktionstag Fotografie at Willy-Brandt-Haus
EventsElias WesselElias Wessel, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft, Judth Rosmair, It’s Complicated
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
Painting, Photography, and the Digital: Crossing the Borders of the Mediums
PublicationsElias WesselElias Wessel, DigitalPaintingPhotography, University of Derby, Carl Robinson, Frances Guerin, Matt Saunders, Dan Hays, Clare Strand, Cambridge Scholars Publishing, Publication, Photography, Painting, Rahma Khazam, Till Julian Huss, Theresia Stipp, Die Summe meiner Daten, Images through an Algorithmic Lens, Schöne neue Welt, It’s Complicated
Virtual Tour: I Don’t Care. I Love My Phone
Virtual Tour: I Don’t Care. I Love My Phone
ExhibitionsElias WesselElias Wessel, Exhibition, Schöne neue Welt, Kunstsammlung SAP, Die Summe meiner Daten, Images through an Algorithmic Lens, Virtual Tour, VR
Nikolaus Kratzer: Images Through an Algorithmic Lens: On the Visualization of Reality
Nikolaus Kratzer: Images Through an Algorithmic Lens: On the Visualization of Reality
EssaysElias WesselNikolaus Kratzer, Images through an Algorithmic Lens, Ästhetik des Konflikts, Aesthetics of Conflict, Verlag Kettler
Investigations Into the Interrelationships of the Digital, Painting, and Photography
Investigations Into the Interrelationships of the Digital, Painting, and Photography
TalksElias WesselElias Wessel, Symposium, DigitalPaintingPhotography, PaintingDigitalPhotography, PhotographyDigitalPainting, Die Summe meiner Daten, Schöne neue Welt, Brave New World, Images through an Algorithmic Lens, Martin Lang, Dawn Woolley & Zara Worth, Frances Woodleay, Rhys Himsworth, Dan Hays, Abbie Schug, Allen Hirsh, Theresia Stipp, Clare Strand, Till Julian Huss, Ian Truelove, Rahma Khazam, Matt Saunders, University of Derby, Carl Robinson, It’s Complicated
Spallart Collection Acquires Works From Images Through an Algorithmic Lens
Spallart Collection Acquires Works From Images Through an Algorithmic Lens
CollectionsElias WesselDie Summe meiner Daten, Spallart Collection, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., Collections, Kunstsammlung Spallart, Elias Wessel, Images through an Algorithmic Lens, Zur Visualisierung der Wirklichkeit
Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]
Kunstsammlung des Deutschen Bundestages [Art Collection of the German Bundestag]
CollectionsElias WesselBundeskunstsammlung, Berlin, Georg Baselitz, Joseph Beuys, Christo, Hans Haacke, Jenny Holzer, Elsworth Kelly, Anselm Kiefer, Imi Knoebel, Sigmar Polke, Neo Rauch, Gerhard Richter, Ulrike Groos Kunstmuseum Stuttgart, Anna-Catharina Gebbers Hamburger Bahnhof - Museum für Gegenwart, Friedrich Meschede Kunsthalle Bielefeld, Roland Nachtigäller Museum Marta Herford, Sprung in die Zeit, Images through an Algorithmic Lens, Kurator Dr. Kaernbach, Kunstsammlung des Deutschen Bundestages, Art Collection of the German Bundestag, Collections, Artothek - die Kunstsammlung - Deutscher Bundestag, Deutscher Bundestag
I Don’t Care. I Love My Phone. Kunstsammlung SAP Presents Works From 2017–2020
I Don’t Care. I Love My Phone. Kunstsammlung SAP Presents Works From 2017–2020
ExhibitionsElias WesselExhibition, Die Summe meiner Daten, Images through an Algorithmic Lens, Kunstsammlung SAP, Elias Wessel, I Don‘t Care. I Love My Phone, Collections, Schöne neue Welt
Participating From a Distance With Images Through an Algorithmic Lens
Participating From a Distance With Images Through an Algorithmic Lens
ExhibitionsElias WesselImages through an Algorithmic Lens, Kunstverein Speyer e. V., I Don‘t Care. I Love My Phone