Posts tagged Quick Response
First Comprehensive Monograph »Aesthetics of Conflict« Published by Verlag Kettler
First Comprehensive Monograph »Aesthetics of Conflict« Published by Verlag Kettler
PublicationsElias WesselElias Wessel, Verlag Kettler, Stephan Berg, Hans-Jürgen Herschel, Nikolaus Kratzer, Matt Saunders, Alina Girshovich, Gwyneira Isaac, Ruth Horak, Andreas Brenne, Frank Wolff, Ästhetik des Konflikts, Aesthetics of Conflict, Die Summe meiner Daten, Die Freude am Rest, Images through an Algorithmic Lens, It‘s Complicated, Schöne neue Welt, Brave New World, Quick Response, Ereignishorizonte, Event Horizon, Deepfakes, Privacy, Image Swap
Sonic Interventions: Listen to the New Podcast »Stimmbezirke« by Freie Universität Berlin
Sonic Interventions: Listen to the New Podcast »Stimmbezirke« by Freie Universität Berlin
TalksElias WesselNew York, Kultur, Kunst, Photography, Elias Wessel, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Quick Response, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës, Podcast, Layla Zami, Freie Universität Berlin, Institut für Theaterwissenschaft, Intervenierende Künste
Exhibition Film »It’s Complicated, Is Possibly Art« by Edna Luise Biesold at 1014 New York
Exhibition Film »It’s Complicated, Is Possibly Art« by Edna Luise Biesold at 1014 New York
VideosElias WesselNew York, Kultur, Dokumentation, Manuel Schlindwein, Kunst, Photography, Elias Wessel, Edna Luise Biesold, Buero Robot, Stephan Baumann, Alina Girshovich, 1014, 1014 New York, 1014 space for ideas, It‘s Complicated, Is Possibly Art, Exhibition, Schöne neue Welt, Schöne neue Welt – The Moving Images, Quick Response, Deepfakes, Privacy, Ist möglicherweise Kunst, Systems at Play, Natalia Kiës
Reality, Technology and Art — Panel Discussion at 1014 New York
Reality, Technology and Art — Panel Discussion at 1014 New York
TalksElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show, Wendy Suzuki, Sue Huang, New York University
Armory Week Viewing at 1014 With »It's Complicated, Is Possibly Art«
Armory Week Viewing at 1014 With »It's Complicated, Is Possibly Art«
EventsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Armory Week, Armory Show
1014 New York presents »It's Complicated, Is Possibly Art«
1014 New York presents »It's Complicated, Is Possibly Art«
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac
Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]
Netz, du hast das Bild gestohlen, gib es wieder her! [Net, You Stole the Picture, Give It Back!]
CollectionsElias WesselElias Wessel, 1014, 1014 space for ideas, Quick Response, NFT, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Black Square, Black Dadaistic Square, Schwarzes Quadrat, Schwarzes dadaistisches Quadrat, Schwarzes dataistisches Quadrat, Black Dataistic Square
Alina Girshovich: This Is Art a Perpetually Relevant Response
Alina Girshovich: This Is Art a Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, It‘s Complicated, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas