Fall Open Studios at International Studio & Curatorial Program (ISCP)
Would You Share Your Gold Medal? Exhibition at School of Visual Arts New York
Space Invaders – Summer Open House at the International Studio & Curatorial Program (ISCP)
Photoszene Festival Cologne: BEISTE_Satellite presents the exhibition »PULSAR«
Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
ExhibitionsElias WesselElias Wessel, It‘s Complicated, Schöne neue Welt, Schöne neue Welt – The Moving Images, Images through an Algorithmic Lens, Die Summe meiner Daten, Kunstsammlung im Willy-Brandt-Haus, Freundeskreis Willy-Brandt-Haus, Willy-Brandt-Haus, Textfetzen, Judith Rosmair, Hans-Christian von Herrmann, Frank Wolff, EMOP, European Month of Photography Berlin, Aktionstag Fotografie, Delirious Images, Fotografien für die nächste Gesellschaft
Can Pictures Speak? An Intermedial Experience at the Intersection of Art, Music and Technology
ExhibitionsElias WesselElias Wessel, Natalia Kiës, Manuel Schlindwein, Bärbel Kopplin, Cylvester, Max Schweder, Tobias Hartmann, Patrick Weiß, Herrweiss, Stiftung Musikfonds, GVL, Neustart Kultur, Die Beauftragte der Bundesregierung für Kultur und Medien, Sprung in die Zeit, Leap into Time, Online Exhibition, Web Experience, Interactive, Intermedial, Klangkunst, Sonic, Visual
1014 New York presents »It's Complicated, Is Possibly Art«
ExhibitionsElias WesselElias Wessel, Textfetzen, Ist möglicherweise Kunst, Is Possibly Art, It‘s Complicated, Christoph Neuberger, Weizenbaum Institut, Axel Gelfert, Hans-Christian von Herrmann, Kulturverlag Kadmos, Berlin, Soziale Medien, Social Media, Freie Universität Berlin, Technische Universität Berlin, Kommunikationswissenschaft, Literaturwissenschaft, Neue Philosophie, Frank Wolff, 1014, 1014 space for ideas, Schöne neue Welt – The Moving Images, Deepfakes, Privacy, Quick Response, NFT, Natalia Kiës, Systems at Play, Alina Girshovich, Katja Wiesbrock Donovan, Ben Bergner, Hans Ulrich Obrist, Shumon Basar, Douglas Coupland, Kazimir Malevitch, Kasimir Malewitsch, König Galerie, misa.art, Goethe Institut, Ästhetik des Konflikts, Aesthetics of Conflict, Ruth Horak, Matt Saunders, Andreas Brenne, Hans-Jürgen Herschel, Nikolaus Kratzer, Gwyneira Isaac
»zu mir und zu dir« – Franz Jyrch, Maria Sainz Rueda, Elias Wessel
Virtual Tour Through the Exhibition »I Don’t Care. I Love My Phone«
»Schöne neue Welt – The Moving Images« Are Extraordinary Things
ExhibitionsElias WesselElias Wessel, Exhibition, Objects. Stories. Experiences: Extraordinary Things, Assembly Required, Brooklyn, New York, Gowanus, Schöne neue Welt, Schöne neue Welt – The Moving Images, Bewegtbild, Videoinstallation, Video, Brave New World, Pawel Wojtasik, Heidi Hankaniemi, Bard College
»I Don‘t Care. I Love My Phone.« Kunstsammlung SAP Presents Works From 2017-2020
Eyes on the Object: The Spallart Collection Presents Selected Works From Its Rich Collection
ExhibitionsElias WesselDie Summe meiner Daten, Spallart Collection, Off Series, Das Objekt im Fokus, Eyes on the Object, Bernd & Hilla Becher, Joseph Beuys, Candida Höfer, Pablo Picasso, Gerhard Richter, Cindy Sherman, Aaron Siskind, Thomas Struth, Ai Weiwei, Alfred Ehrhardt, Walker Evans, Josef Sudek, Michael Wesely, Edward Weston Erwin Wurm., I Don‘t Care. I Love My Phone, Collections, Kunstsammlung Spallart, Elias Wessel
Participating From a Distance With »Images Through an Algorithmic Lens«
»Elias Wessel : La somme de mes données« at the Historic Palais Beauharnais, Paris
I Am All of Glass – Marianne Brandt and the Art of Glass Today
Digitization, Surveillance and Identity at the Kunstverein Speyer e. V.
ExhibitionsElias WesselDie Summe meiner Daten, Kunstverein Speyer e. V., Digitalisierung Überwachung Identität, On Series, B/W Series, Jenny Graser, Stiftung Rheinland-Pfalz für Kultur, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Abstrakte Realitäten, SWR, ARD, SWR Kulturtipps, I Don‘t Care. I Love My Phone
Internationale Photoszene Köln
»In the End, Though, Nothing Is Lost« at Deutsches Haus at New York University
There's a Black Square in the Icon Corner
Smart Robotic Window Cleaner Removes Traces and Fingerprints – but Not From Your Digital Device
NRW Forum Düsseldorf Unites Works by Demand, Gursky, Hütte, Ruff, Struth and Wessel
History of Touches at the Consulate General of the Federal Republic of Germany New York
ExhibitionsElias WesselDie Summe meiner Daten, On Series, Off Series, B/W Series, Elias Wessel: History of Touches, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, Elias Wessel: Stuck Together Pieces!, 1014 New York, Consulate General of the Federal Republic, New York, Mark Gisbourne, Peter Duhon, Phoebe Verlag, I Don‘t Care. I Love My Phone
Sprung in die Zeit – Leap Into Time
1014 Presents »Elias Wessel: Stuck Together Pieces!« in the Heart of New York City
ExhibitionsElias Wessel1014 New York, Elias Wessel: Stuck Together Pieces!, New York, Metropolitan Museum of Art, Goethe Institut, Goethe Haus, Nina Tabassomi, Landscapes, Cityscapes, Feral, Liebst, Sprung in die Zeit, Taxispalais, Consulate General of the Federal Republic, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017
Goethe Institute Frankfurt Presents »Traces of Reality«
![Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1678735067361-6PH1J4J7JXJ3JJXMDGI1/Foto+Piotr+Bialoglowicz+%282%29.jpg)
