Curator Daniela Yvonne Baumann on Elias Wessel: Device
EssaysElias WesselElias Wessel, Device, Daniela Yvonne Baumann, Walther Collection, Ulm, Die Summe meiner Daten, Ist möglicherweise Kunst, Is Possibly Art, Images through an Algorithmic Lens, Liebst, Sprung, Leap into Time, Ereignishorizonte, Event Horizon, It’s Complicated
Chunbum Park: A Thesis on Social Media’s Bastardization of the Holy and the Sacred
EssaysElias WesselElias Wessel, New York, Ist möglicherweise Kunst, Is Possibly Art, Textfetzen, Systems at Play, Natalia Kiës, Picture Theory, Gallery, Exhibition, Two Coats of Paint, Review, Chunbum Park, Gerhard Richter, Chelsea, It’s Complicated
Matt Saunders: Connoisseur of Chaos: Wessel’s Broken Picture Space
Gwyneira Isaac: Mind the Gap. Elias Wessel’s Ereignishorizonte and the Thermodynamics of TikTok
Ruth Horak: The Screen Is Never Empty
Alina Girshovich: This Is Art: A Perpetually Relevant Response
EssaysElias WesselÄsthetik des Konflikts, Aesthetics of Conflict, Verlag Kettler, Alina Girshovich, NFT, Quick Response, Is Possibly Art, 1014, 1014 New York, 1014 space for ideas, It’s Complicated
Nikolaus Kratzer: Images Through an Algorithmic Lens: On the Visualization of Reality
Christoph Neuberger: The Way Back From the Digital to the Analog
Axel Gelfert: The Newsfeed as an Algorithmic Palimpsest
Hans-Christian von Herrmann: Unsubstantiated Presence – Can Elias Wessel’s Textfetzen Be Read?
Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]
Hans-Jürgen Herschel: Variations on Die Freude am Rest [The Joy in What Remains]
Bärbel Kopplin: Photography as Experimental Arrangement and Thought Process
EssaysElias WesselBärbel Kopplin, Kuratorin, Kunstsammlung Hypovereinsbank, Kunstsammlung der Unicredit Bank, München, Munich, Sprung in die Zeit, Art Collection of the German Bundestag in Berlin, Artothek - die Kunstsammlung - Deutscher Bundestag, Otto Piene, Bundeskunstsammlung
Beyond the Digital Promise: Virtual Communities and Democracy in Recent Contemporary History
Frances Guerin Explores the Intersection of Aesthetics and Social Politics at Palais Beauharnais
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Frances Guerin, Andreas Gursky, Candida Höfer, Paris, University of Kent, Paris School of Arts and Culture, Embassy of the Federal Republic of Germany, Elias Wessel: History of Touches, Dreyfus-Affäre, Thomas Ruff, Düsseldorf, Hôtel de Beauharnais, On Series, Off Series, Louis XVIII, Jacques Louis David, Prince Eugène Beauharnais, B/W Series, Andres Serrano, Michael David Barbezat, Anne M Scott, Roman Polanski, J’Accuse, Gerhard Richter, I Don‘t Care. I Love My Phone
Stephan Berg Discovers Traces of the Body Within Die Summe meiner Daten
Jenny Graser’s Note Upon the Mystic Writing-Pad
EssaysElias WesselDie Summe meiner Daten, Palais Beauharnais, La somme de mes données, Jenny Graser, Abstrakte Realitäten, Städel Museum Frankurt, Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz, Digitalisierung Überwachung Identität, Embassy of the Federal Republic of Germany, Kunstverein Speyer e. V., Sigmund Freud, Wunderblock, I Don‘t Care. I Love My Phone
Historian Frank Wolff Reflects on the Soothing Power of Speed
Mark Gisbourne on Visions of Synthesis
EssaysElias WesselMark Gisbourne, Visions of Synthesis, Courtauld Institute, Slade School of Art London, Sotheby's Institute, British Art Critics (AICA), Tate Modern, London, Photographische Arbeiten aus den Jahren 2014-2017, Photographic Works between the Years 2014-2017, 1014 New York, Consulate General of the Federal Republic, Elias Wessel: History of Touches, Elias Wessel: Stuck Together Pieces!, Rohkunstbau (Brandenburg), Gerhard Richter, Sprung in die Zeit, Liebst, Feral, Landscapes, Cityscapes, Jejune, Hinter den Dingen, Die Summe meiner Daten, On Series, Off Series, B/W Series, Otto Piene
Christian Schoen’s Thoughts on the Essence of Images
EssaysElias WesselSprung in die Zeit, Christian Schoen, Raum für Kunst und Gegenwart, Ansbach, Center for Icelandic Art, Biennale di Venezia, Reykjavík Art Museum, Anmerkungen zum Wesen der Bilder, Karl Blossfeldt, Bernd und Hilla Becher, Kasimir Malewitsch
Jenny Graser: In the End, Though, Nothing Is Lost
![Andreas Brenne: Fotografien für die nächste Gesellschaft [Photographs for the Next Society]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1677175839651-VGHSH9SQMMJ450EMGFNC/Andreas-Brenne_Portrait_Bild-Tagesschau.jpg)
![Hans-Jürgen Herschel: Variations on Die Freude am Rest [The Joy in What Remains]](https://images.squarespace-cdn.com/content/v1/5bb41b9d8dfc8c0bbd4a9c59/1677170713580-CRY71XVU5GXQNVWRXWW6/Hans-Ju%CC%88rgen-Herschel_Portrait_Foto-ps.jpg)
